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Tom Petty & The Heartbreakers - Hypnotic Eye ⭐⭐⭐⭐⭐






Maybe not quite up to the standard of MOJO but still a very good album with good songs and a very good recording! Produced by Tom Petty, Mike Campbell and Ryan Ulyate. Recorded at The Clubhouse, Los Angeles and Shoreline Recorders, Malibu. Mastered by Chris Bellman at Bernie Grundman Mastering.

Sarah McLachlan - Afterglow ⭐⭐⭐⭐⭐




Big sound, wide soundstage, loads of detail and wonderful bass makes this a must have record from Classic Records! Produced, engineered and mixed by Pierre Marchand.

Joe Jackson - Fast Forward ⭐⭐⭐⭐


The CD sounds terrific, but on the LP I hear more air around the instruments, and more bottom-end punch. Graham Maby’s bass in the New York session has more attack, and each note is fuller, with longer sustain. Brian Blade’s brushes on snare drum in the title track are more focused and audible, and Jackson’s piano sounds larger and more impressive. His voice is more centered and out front, and it’s easier to hear the texture in it.
On vinyl, Blade’s drums are set off more in “If It Wasn’t for You,” and his cymbal splashes hang in the air longer. Bill Frisell’s guitar solo in “See No Evil” has more bite, and the background vocals at the close of the track are more layered. “A Little Smile” (Amsterdam) sounds just a little more lively, and Jackson’s piano is more driving. The strings in “Far Away” sound richer, and Stefan Kruger’s drums snap with more body and authority.
On vinyl, the music has more room to expand and deepen. Jackson’s voice in “So You Say” (Amsterdam) is more nuanced and warm, and his piano solo is more natural and sounds clearer. Earl Harvin’s drums in “Junky Diva” (Berlin) ring more sharply, and the reverb echoes more strongly. Overall, this track comes across more subtly on vinyl.
Fast Forward isn’t massively better on LP than on CD -- on either format, it’s a very enjoyable record. But in the small ways that bring me back repeatedly to a recording, the vinyl is the more enjoyable format. Markus Ehrlich’s tenor sax in “If I Could See Your Face” (Berlin) has more timbral detail, with less edginess. Stanton Moore’s drums in the New Orleans session sound impressively large on both formats, but more expansive on vinyl. The instruments in “Satellite” are more balanced on LP; on CD, they sound a bit too close together.
Soundstage


This album, for the sound alone, is definitely 4 star! Generally the music is enjoyable although there is a weird track 'If I Could See Your Face' which refers to a band of brothers tracking down their sister and killing her - not quite the subject of a rock song you may think? Other than that I think the album is good and well worth the purchase. Stand out track for me is definitely 'Fast Forward'!

Joe Jackson - Night and Day ⭐⭐⭐⭐







A nice recording with great songs but just a bit light on bass for my taste! Stand out track 'China Town'. Not much to choose from between 'Music on Vinyl' and 'Intervention Records versions in my view'!

London Grammar - Truth Is A Beautiful Thing ⭐⭐⭐⭐




It's Hannah Reid's' voice that is the driving force behind London Grammar! Her haunting voice is beautiful and has an incredible range too! I don't think 'Truth is a Beautiful Thing' is quite as good as their first album 'If You Wait' but it's still very good and well worth the purchase. Some may say that every song sounds similar? Well yes there may be some truth in that but her voice alone makes the album compelling! Beware though this album is 33 1/3 rpm and not like 'If You Wait' which is 45 rpm!


China Crisis - Diary of a Hollow Horse ⭐⭐⭐⭐




One of China Crisis's best albums! Produced by Walter Becker to an entertaining standard making this album definitely worth the purchase! There are some nice songs here with a consistent arrangement throughout, recorded to quite a high standard I think!

Tom Petty and the Heartbreakers - Into The Great Wide Open ⭐⭐⭐⭐⭐





Great production from the legendary Jeff Lynne combined with the wonderfully talented Tom Petty - what else could you ask for? A great full sounding album with bags of detail and soundstage spread! Released in 1991 and mastered by Steve Hall at Future Disc Systems, Hollywood, California.

Review - Lyra Etna SL - Low Output Moving Coil Cartridge ⭐⭐⭐⭐⭐⭐

Purchasing this cartridge as an upgrade from a Linn Kandid was a big jump for me, not just in financial terms but in sonics too. At t...

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